Twenty Three
484 Presents
2023


Jacob Baglin’s recent paintings continue to exude a wonderful sense of place, building on his previous exhibition at Four Eight Four, which focused on a narrow strip of coastal vegetation, running between Pt. Nepean Road and Port Phillip Bay – now his discerning eye has turned to the urban landscape of Northcote, paying particular attention to the built environment in the vicinity of the High Street and Separation Street intersection.

Besides Jacob’s fascination with the way these built and fabricated structures have evolved and weathered, the abiding, over-riding concern is always with the possibilities of oil paint – and what can be achieved by pushing, coaxing and cajoling the materials into their essential forms and configurations.

To be present with these paintings, enables us to sense the artist's enthralling contest and “conversation” with both subject matter and materials, enabling the viewer to appreciate Jacob’s articulate brushwork, tonal shifts and richly textured surfaces – in turn granting us a deeper understanding of a complex landscape, which we might otherwise take for granted. 

BILL HAY


FROM THE CHURCH SCAFFOLDING, 2022
Oil on Canvas
123 x 137 cm
DIRTY HOLE FROM THE STAIRS, 2022
Oil on Linen
92 x 123 cm
DIP AT NORTHCOTE PLAZA, EARLY MORNING, 2022
Oil on Linen
122 x 138 cm
DIRTY HOLE FROM THE LIBRARY RAILS, 2022
Oil on Board
27 x 42 cm
DIRTY HOLE FROM THE LIBRARY, 2022
Oil on Linen
138 x 154 cm
DIRTY HOLE FROM THE LIBRARY 2, 2022
Oil on Board
42 x 47 cm
BAY PARK, POINT NEPEAN ROAD, 2022
Oil on Board
90 x 120 cm
BAY PARK, BIG TREE, 2021
Oil on Board
90 x 122 cm
BAY PARK FROM THE PEDESTRIAN CROSSING, 2021
Oil on Board
54 x 75 cm
AAB SEATED, 2021
Oil on Board
AAB, 2021
Oil on Board
42 x 34 cm
OIL_ON_BOARD_42CM_34CM_
ALL NATIONS PARK, EARLY MORNING , 2023
Oil on Board
35 x 45 cm
BMC, 2022
Charcoal on Paper